Studio Monitors

The Neumann KH 310 II monitor speakers place precision at the heart of audio work, with clear reproduction that helps you perceive important nuances without making the sound feel heavy. Their 3-way design gives the system a balanced presence, designed to ensure that every sonic decision remains clear. Intended for critical monitoring, this system is ideal for recording studios, music production, post-production, broadcasting, mastering or immersive audio set-ups. Their headroom handles dense audio material with confidence, ensuring your ears remain focused and any errors are clearly audible.

ARTICLE N° 126862
The Neumann KH 310 II monitor speakers are a 3-way reference system designed for the precise monitoring of audio productions. Their active design ensures consistent sound reproduction for projects where tonal balance, detail and dynamics must remain clearly discernible.

In a recording or music production studio, this system facilitates the evaluation of arrangements with a stable and detailed sound reproduction. It is also suitable for mixing, audio editing and mastering, where precise reproduction helps to distinguish between choices of timbre, dynamics and spatiality with greater confidence.

Its scope extends to post-production, broadcast and immersive audio environments, where consistent sound reproduction is of paramount importance. The 3-way design separates the different regions of the spectrum to maintain a clear reproduction of bass, midrange and treble, with a highly controlled overall sound. This leaves your ears in control, without any interference.

At close range, the system maintains a precise soundstage, facilitating the monitoring of detail and balance. The frequency response ranges from 29 Hz to 21 kHz at ±6 dB, with linearity of ±0.6 dB between 100 Hz and 10 kHz. These figures reflect a design focused on fidelity, particularly suited to production decisions where excessive colouration would make the programme difficult to follow.

The headroom ensures that the sound remains clear and easy to follow when the programme becomes denser or more energetic. The maximum sound pressure level reaches 121.4 dB SPL in half-space, whilst the amplification system distributes 300 W to the bass, 160 W to the midrange and 125 W to the treble. This tri-amplified architecture supports a structured sound reproduction, with sufficient resources to keep the different registers distinct as the music gains in intensity.

Digital processing adds another dimension to system control, with a DSP architecture utilising 32-bit audio and 64-bit double-precision calculations. Compatibility with the MA 1 system enables automatic room calibration to adapt the sound reproduction to the acoustic characteristics of the listening environment. Linear-phase FIR phase correction is also applied from 60 Hz to 18 kHz, which enhances the signal’s temporal coherence and the clarity of transients.

For installations requiring advanced integration, the connectivity options include a balanced XLR analogue input and an AES3id digital link via 75 Ω BNC. Control can be carried out locally or via the network, with a delay setting of up to 120 ms and a resolution of 20.8 µs, equivalent to 0.71 mm. This flexibility facilitates integration into complex monitoring systems, particularly where several speakers need to maintain a consistent temporal alignment. Digital technology fits in seamlessly here.
  • Neumann KH 310 II (pair)
  • 3-way active near-field monitor with DSP
  • Country of manufacture: Czech Republic
  • Acoustic principle: sealed enclosure
  • Recommended listening distance: 0.75 ⭢ 6.0 m
  • Recommended listening distance: 1.0 ⭢ 2.5 m
  • Frequency response @ ±6 dB: 29 Hz ⭢ 21 kHz
  • Linearity, 100 Hz ⭢ 10 kHz: ±0.6 dB
  • Self-noise level @ 100 mm: <20 dB(A) SPL
  • Drivers:
  • Bass: ∅210 mm (8.25"), ELFF technology
  • Midrange: ∅75 mm (3"), magnetically shielded
  • Tweeter: ∅25 mm (1"), with metal protective grille
  • Amplification: Class D
  • Bass: 300 W
  • Midrange: 160 W
  • Tweeter: 125 W
  • SPL level with THD <0.5 per cent: 95 dB SPL (>82 Hz), @ 1 m in half-space
  • Maximum SPL, free field, 3 per cent THD: 115.4 dB SPL @ 1 m
  • Maximum SPL (Dolby D.A.R.D.T. with bass management): 123 dB SPL
  • Maximum input level: +24 dBu / +14 dBu / +9 dBu / -1 dBu
  • CMRR: >56 dB @ 15 kHz
  • Volume control: via MA 1
  • Volume control range: 0 ⭢ -∞ dB
  • Volume control resolution: 0.1 dB
  • Analogue dynamic range: 118 dB(A)
  • Analogue THD+N: -90 dB
  • .
  • DSP:
  • DSP resolution: 32-bit audio, 64-bit double-precision processing
  • Digital-to-analogue converter: 24-bit
  • Digital sampling rate: 32 ⭢ 200 kHz
  • Internal sampling rate: 48 kHz
  • Analogue input latency: 2.6 ms
  • AES3id input latency: 4.7 ms
  • Delay resolution: 20.8 µs / 0.71 mm
  • Adjustable delay: 0 to 120 ms / 0 to 41.2 m
  • Input gain / sensitivity: 0 to -15 dB
  • Reference levels: 94 / 100 / 108 / 114 dB SPL
  • Cutoff frequencies: 700 Hz and 1,700 Hz
  • Bass equalisation: 0 / -1.5 / -3 / -4.5 dB
  • Lower midrange equalisation: 0 / -1.5 / -3 / -4.5 dB
  • Treble equalisation: +1 / 0 / -1 / -2 dB
  • Filter slope: 24 dB/octave
  • Phase correction: FIR, linear phase from 60 Hz to 18 kHz
  • Input selector: Analogue / AES3id L / AES3id R / Mono
  • Remote control: Ethernet and MA 1
  • Ground lift switch: yes
  • Control: local / network
  • .
  • Connectors:
  • Analogue input: XLR, electronically balanced
  • Digital input: 75 Ω BNC, AES3id
  • Digital output: 75 Ω BNC, AES3id
  • Limiter protection: bass excursion, soft clip, peak and thermal
  • Thermal monitoring of electronics and amplifiers
  • Enclosure materials: wood & polycarbonate
  • Colours: metallic anthracite RAL 7021 / black RAL 9005
  • Mounting points: 2 × M8 on the side panels
  • Automatic standby: 20 mins by default
  • Power supply: ∿100/240V - 50/60Hz
  • Dimensions: 383 × 292 × 253 mm
  • Weight: 13.0 kg
  • .
  • Automatic calibration: MA 1 Automatic Monitor Alignment (sold separately)
Founded in Berlin in 1928, Neumann has built its reputation on audio engineering and numerous innovations, extending far beyond microphones. Georg Neumann also designed record-cutting machines, rechargeable batteries and mixing desks for radio, theatres and concert halls before the company became part of the Sennheiser Group in 1991.

Neumann’s current range includes studio microphones, monitors, headphones and audio interfaces. For its loudspeakers, the brand draws in particular on the legacy of Klein & Hummel, continuing their expertise in active monitoring. The KH 310 II continues this tradition as a modernised version of the famous KH 310, enhanced with DSP, digital connectivity and acoustic calibration.
Neumann - KH 310 II (la paire) Neumann - KH 310 II (la paire)
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Lowest price over 30 days 4 998,33 €
4 769,17 € excl VAT
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A legendary brand for decades, present in all the major recording studios, Neumann is a guarantee of high quality and professionalism. The Beatles, Natalie Cole, Celine Dion, Bryan Adams and Beyoncé... all use this exceptional brand with the famous U87, and the TLM49 at the top of the list. In home studio, the TLM103 and TLM102 condenser microphones are the most popular. For studio sound on stage opt for the KMS105. In recent years, Neumann has also offered the high-end KH80, KH120 and KH310 monitors.

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