EMG - 57/66 TW Set Floyd Brushed Chrome
233,33 €
excl VAT
including eco-part : 0,07 €
Out of stock
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Guarantee 3
years
Guitar Microphone
Designed for modern configurations, this EMG TW Series set includes two 57/66 TW dual-personality pickups. The assembly is seamless, and the battery lasts for 1500 hours. The whole thing remains silent, even on saturated riffs. They're made for Floyd guitars, with 52 mm spacing and long axes.
ARTICLE N° 107893
Presentation
The EMG 57/66 TW Floyd Brushed Chrome pickups are ideal for heavy-duty configurations. Designed for Floyd or Fender 52mm spacing bridges, this set is compact, precise and highly dynamic.
The simple mode keeps the attack clear, direct and non-aggressive. The humbucker mode reacts more strongly, with a taut, wide signal. Each pickup is based on a well-defined alloy: Alnico/steel for the bridge, ceramic/Alnico for the neck.
The on-board push-pull switches from one world to the other in a second. No soldering is required: each element is ready to plug in. The pack includes two TW cables, two push-pulls, a stereo jack, plus all the internal buses.
The 10 kΩ impedance maintains a reliable hold in any setup. One 9V battery is enough to power the unit for over 1,500 hours. Background noise is virtually non-existent, even at saturation. It's a modern, responsive set, ready for stage or studio.
The simple mode keeps the attack clear, direct and non-aggressive. The humbucker mode reacts more strongly, with a taut, wide signal. Each pickup is based on a well-defined alloy: Alnico/steel for the bridge, ceramic/Alnico for the neck.
The on-board push-pull switches from one world to the other in a second. No soldering is required: each element is ready to plug in. The pack includes two TW cables, two push-pulls, a stereo jack, plus all the internal buses.
The 10 kΩ impedance maintains a reliable hold in any setup. One 9V battery is enough to power the unit for over 1,500 hours. Background noise is virtually non-existent, even at saturation. It's a modern, responsive set, ready for stage or studio.
Other features
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EMG 57/66 TW Set Floyd Brushed Chrome
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EMG TW Series
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Dual mode pickups: humbucker and single coil
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Suitable for 52 mm Floyd Rose bridges
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Integrated Push-Pull selection system
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57TW (bridge): alnico + steel magnets
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Clear, powerful sound with single coil
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Warm, aggressive sound in double winding
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66TW (neck): ceramic + alnico magnets
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Fluid, precise and expressive timbre
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Exclusive EMG three-coil hybrid design
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Compatible with all EMG pickups
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Solderless installation via included connectors
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25K potentiometers for active pickups
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Trem spacing (Floyd/Fender) 52 mm
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Long shaft potentiometer (Les Paul) 19 mm
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No bridge ground required
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Requires one 9V battery (not included)
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Battery life: approx. 1500 hours
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High output level and very low noise
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Resonance frequency: 3.47 kHz (single)
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Resonance frequency: 1.77 kHz (double)
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Output impedance: 10 kΩ
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Max. supply voltage: 27V DC
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Current consumption: 160 μA
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Output voltage (string): 2.00V (single)
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Output voltage (string): 3.00V (double)
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Output voltage (strumming): 3.00V (single)
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Output voltage (strumming): 4.50V (double)
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Logo colour: copper (not visible on Metalworks)
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2 TW microphone cables (40.6 cm and 27.9 cm)
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4 connection cables (14 cm)
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1 output cable (15 cm)
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1 battery cable (18 cm)
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2 push-pull potentiometers (25K)
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2 25K tones
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1 stereo output jack
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1 input/output bus for 2 microphones
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1 battery bus
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2 pairs of fixing screws and springs
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Mic dimensions: 78.5 x 38.1 x 27.6 mm
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Thickness: 1.1" (27.9 mm)
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Weight (each microphone): approx. 120 g
To find out more...
On a Jackson Soloist, this set of EMG 57/66 TW Floyd Brushed Chrome pickups changes everything. The maple neck woke up from the first note. The triple coil balances each string in complex arpeggios.
No volume spills over, even in harmonic tapping. You're beginning to doubt the classic roles of pickups.
The clean bridge? Clear, lively, present.
The neck in lead? Deep and responsive. Rock, metal, funk, ambient - everything gets through without compromise. The push-pull switch becomes a stage tool. You play without adapting: it's the sound that follows.
No volume spills over, even in harmonic tapping. You're beginning to doubt the classic roles of pickups.
The clean bridge? Clear, lively, present.
The neck in lead? Deep and responsive. Rock, metal, funk, ambient - everything gets through without compromise. The push-pull switch becomes a stage tool. You play without adapting: it's the sound that follows.
