Golden Age Audio - Pre 73 DLX MkII
415,83 €
excl VAT
including eco-part : 0,90 €
In Stock
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+infos
Guarantee 2
years
Anais
Tristan
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Preamps
The Pre-73 DLX MkII is a mono analogue preamplifier inspired by the Neve 1073, combining mic, line and instrument inputs. It features completely discrete electronics, multiple transformers and a classic sound colour that is equally suited to recording and mixing.
ARTICLE N° 115936
Presentation
The Golden Age Audio Pre-73 DLX MkII represents the culmination of the PRE-73 range, designed as a version as close as possible to the architecture and sonic behaviour of the original 1073 preamplifier. After more than ten years of unchanged production, this MkII version retains the essence of the DLX model while improving key elements relating to ergonomics, reliability and electrical compliance.
The circuit is based on an entirely discrete topology, with no integrated circuits in the audio path. Resistors, capacitors and transistors are implemented using traditional methods, in the spirit of classic British console engineering. The mic, line and line-out inputs are all transformer-balanced, with three separate transformers, each optimised for its function. This approach provides true stage separation, excellent level stability and a dense, musical sound signature.
The sound signature of the Pre-73 DLX MkII is characterised by a solid bass, full-bodied and balanced midrange, and an open top end without aggression. This colour, which has become a standard in countless productions over the decades, is equally suited to vocals, guitars, percussion, brass or electronic sources.
The preamp offers sufficient reserve gain to drive low-sensitivity passive microphones, including ribbon microphones, without the need for an external preamplifier. Switching to line mode automatically reduces the gain by around 30dB, making it easy to integrate the Pre-73 DLX MkII into an existing processing chain, either as an input or insert.
The integrated AIR equaliser has two positions, 3 or 6 dB at 30 kHz, providing a feeling of openness and airiness that is particularly effective on vocals or acoustic instruments. The 6dB/octave low-cut filter, adjustable over two frequencies, controls unwanted resonances or mechanical vibrations at the input stage.
The high-impedance instrument input allows direct connection of guitars and basses, while the switchable microphone impedance allows the load to be adapted to the microphone used, subtly modifying the tonal response. The front panel adopts a more vintage ergonomic design, with rectangular white switches and robust rockers.
The circuit is based on an entirely discrete topology, with no integrated circuits in the audio path. Resistors, capacitors and transistors are implemented using traditional methods, in the spirit of classic British console engineering. The mic, line and line-out inputs are all transformer-balanced, with three separate transformers, each optimised for its function. This approach provides true stage separation, excellent level stability and a dense, musical sound signature.
The sound signature of the Pre-73 DLX MkII is characterised by a solid bass, full-bodied and balanced midrange, and an open top end without aggression. This colour, which has become a standard in countless productions over the decades, is equally suited to vocals, guitars, percussion, brass or electronic sources.
The preamp offers sufficient reserve gain to drive low-sensitivity passive microphones, including ribbon microphones, without the need for an external preamplifier. Switching to line mode automatically reduces the gain by around 30dB, making it easy to integrate the Pre-73 DLX MkII into an existing processing chain, either as an input or insert.
The integrated AIR equaliser has two positions, 3 or 6 dB at 30 kHz, providing a feeling of openness and airiness that is particularly effective on vocals or acoustic instruments. The 6dB/octave low-cut filter, adjustable over two frequencies, controls unwanted resonances or mechanical vibrations at the input stage.
The high-impedance instrument input allows direct connection of guitars and basses, while the switchable microphone impedance allows the load to be adapted to the microphone used, subtly modifying the tonal response. The front panel adopts a more vintage ergonomic design, with rectangular white switches and robust rockers.
Other features
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Golden Age Audio Pre-73 DLX MkII
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Neve 1073-style microphone, line and instrument preamplifier
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Architecture: fully discrete vintage electronics, no integrated circuits
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Circuit type: inspired by the 1073 preamplifier
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Transformers: mic input, line input and line output, separate transformers
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Signal path: discrete components, tantalum capacitors
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Maximum gain: high, compatible with low-level passive microphones
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Line mode: attenuation of approx. 30 dB
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Mic impedance: switchable
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Instrument input: high impedance on front panel
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AIR equalizer: 2 positions, +3dB or +6dB at 30kHz
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Low-cut filter: 6 dB / octave, two selectable frequencies
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Phantom power: 48 V switchable, standard current (10 mA)
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Phase inversion: yes
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Level indicator: 4-segment VU LED
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Inputs: XLR / TRS combo
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Outputs: separate XLR and TRS
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Insert: insert jack for EQ and external processing
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Carnhill transformer: slot for Carnhill input transformer
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Power supply: external, isolated from audio stages
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Dimensions: 215 x254 x 42 mm
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Weight: 2.1kg
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Golden Age Audio is a brand specializing in the design of audio equipment inspired by vintage analog gear. It offers high-quality preamps, equalizers, and compressors, combining the authentic sound of the 70s with modern components. Known for its reliability and attention to detail, Golden Age Audio enables both professional studios and home studios to achieve a warm and distinctive sound at an affordable price.
