Rme - MADIface XT II
The RME MADIface XT II is a high-capacity USB 3.0 audio interface with up to 394 MADI channels, featuring the latest SteadyClock FS and TotalMix FX technologies. It is a professional solution for studio, stage and production environments requiring reliable synchronisation and premium conversion.
Presentation
The two XLR-TRS mic/line preamps boast a much better signal-to-noise ratio than the previous generation, with a gain of up to 75dB. The XLR-balanced Line Out section now offers a maximum level of +24 dBu, enough to take on professional equipment. Even the headphone output is more powerful, with up to +19dBu and an impedance of 1 ohm. The internal DSP handles all mixing operations via TotalMix FX, including equalisation, dynamics, reverb, delay and the Room EQ function inherited from the Fireface UFX III.
The digital section has also been completely overhauled, notably with the introduction of the ARC USB port, enabling all parameters to be controlled via the dedicated remote control. The SteadyClock FS synchronisation system is based on a femtosecond clock guaranteeing virtually zero jitter, even when the interface needs to lock external sources of variable quality. Class Compliant USB 3.0 compatibility has also been extended, making it possible to transfer all 394 channels simultaneously without a driver.
On a day-to-day basis, MADIface XT II offers great versatility: complex multichannel configurations, high-density recording, real-time monitoring, integration into an existing MADI network or a portable measurement station with DigiCheck. Compact and robust, it fits into a flightcase or a fixed production workstation, with low power consumption and a lightweight external power supply. RME has further strengthened its reputation for reliable, long-lasting solutions with outstanding accuracy.
Other features
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RME MADIface XT II
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USB 3.0 MADI 394-channel audio interface
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XLR mic/line inputs: 2, balanced
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XLR input impedance: 3.3 kΩ
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Signal-to-noise ratio (SNR): 116 dB AES17, 118.5 dBA
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44.1 kHz frequency response: 5 Hz - 20.8 kHz
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96 kHz frequency response: 3 Hz - 45.2 kHz
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192 kHz frequency response: 2 Hz - 89 kHz
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THD : < 0.00032
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THD+N : < 0.00063
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Channel separation: > 110 dB
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Mic/line gain: 75 dB
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Maximum XLR input gain 0 dB: +18 dBu
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Maximum XLR input gain 75 dB : -57 dBu
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TRS inputs: 2, balanced
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TRS input impedance: 6.6 kΩ balanced
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TRS input max level gain 0 dB : +24 dBu
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TRS input max level gain 60 dB : -51 dBu
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Line XLR outputs: 2 balanced
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Line level range : +24 / +19 / +13 / +4 dBu
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Line output dynamic range: 113.5 dB AES17, 116 dBA
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Headphone output: 6.3 mm TRS jack
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Headphone impedance: 1 ohm
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Max headphone level: +7 dBu
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MADI coaxial input: BNC 75 ohms
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MADI optical input: SC duplex
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MADI modes supported: 56ch, 64ch, 96k Frame, S/MUX, S/MUX4
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AES/EBU input: XLR, isolated, SPDIF compatible
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Word Clock input: BNC, 4 kΩ, switchable 75 ohm termination
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MADI coaxial output: BNC 75 ohms
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MADI optical output: SC duplex
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AES/EBU output: XLR, professional and SPDIF formats
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Word Clock output: BNC
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Available clocks: internal, MADI, Word Clock, AES
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Jitter suppression: > 50 dB
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MIDI: 1× MIDI I/O via breakout, 3× MIDI via MADI
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USB modes: USB 3.0 driver and Class Compliant
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Internal processor: TotalMix FX DSP
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Clock technology: SteadyClock FS
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Power supply: external PSU 100-240 V AC 24 W
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Dimensions (with rack ears) : 265 x 44 x 159 mm
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Dimensions (without rack ears) : 215 x 44 x 130 mm
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Weight: 1.03 kg
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Since 1996, RME has been providing high-quality equipment for computer-based music recording (CBR): Converters, USB, FireWire and/or Thunderbolt audio interfaces with built-in DSP, which together with TotalMix FX offer numerous mixing, effects and even remote control features. The majority of RME's products are Mac, PC and iOS compatible, giving you the freedom to record and produce, wherever the music takes you. Whether it's for the stage or studio, you can count on your RME audio equipment to deliver the quality and reliability you expect.
