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Tascam
Satisfied or your money back for up to 45 days
Guarantee 3 years
US-4x4HR Tascam US-4x4HR Tascam US-4x4HR Tascam
US-4x4HR Tascam
US-4x4HR Tascam
US-4x4HR Tascam

Tascam - US-4x4HR

175,83 € excl VAT
including eco-part : 0,10 €
Out of stock
Contact us for delivery times
Guarantee 3  years
Anais
Anais
Tristan
Tristan
Do you need help?
Audio Interfaces

USB audio interface, 4 balanced XLR / jack inputs with low-noise Ultra-HDDA microphone preamplifiers (EIN: -125dBu) and 2 line outputs (6.3 mm jack, balanced). Built-in loopback function and compatibility with OBS Studio (formerly Open Broadcaster Software) make it an excellent choice for creating podcasts and live streaming.

ARTICLE N° 76693
Other features
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|Accessories
Less background noise and distortion - better sound than ever before
The compact US-4x4HR audio interface is packed with features, including high-resolution audio (up to 24-bit/192kHz), ultra-low latency with a Windows buffer size starting at 4 samples, Ultra-HDDA mic preamps with 48-volt phantom power for excellent sound quality with extremely low background noise, a robust USB-C connector, and a rich collection of bundled software to get you started with audio production straight away.

Other features

  • Tascam US-4x4HR
  • USB audio interface, 4 inputs, 4 outputs, 192 kHz
  • Sampling frequencies: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz
  • Digital resolution: 24 bits
  • Analogue inputs
  • Mic inputs (balanced): XLR-3-31
  • Input impedance: 2.2 kΩ
  • Nominal input level: -7 dBu (0.346 Vrms)
  • Maximum input level: +10 dBu (2.449 Vrms)
  • Gain amplitude: 56 dB
  • Instrument inputs (unbalanced, MIC/LINE INST selector in INST position)
  • 6.35 mm jack (TS)
  • Input impedance: ≥1 MΩ
  • Nominal input level: -6 dBV (0.501 Vrms)
  • Maximum input level: +10 dBV (3.162 Vrms)
  • Gain amplitude: 56 dB
  • Line inputs (balanced, MIC/LINE INST selector in MIC/LINE position)
  • 6.35 mm stereo jack (TRS)
  • Input impedance: 10 kΩ
  • Nominal input level: +4 dBu (1.228 Vrms)
  • Maximum input level: +20 dBu (7.75 Vrms)
  • Gain amplitude: 56 dB
  • Line outputs (balanced)
  • Stereo jack connector: 6.35 mm (TRS)
  • Output impedance: 210 Ω
  • Nominal output level: +4 dBu (1.228 Vrms)
  • Maximum output level : +20 dBu (7.746 Vrms)
  • Headphone output (PHONES)
  • 6.35 mm stereo jack connector
  • Maximum output power: 45 mW + 45 mW or more (THD+N 0.1% or less, at 32 Ω)
  • MIDI IN connector: DIN 5-pin
  • MIDI OUT connector: DIN 5-pin
  • USB: USB type C, 4-pin
  • Transfer rate: USB 2.0 'High speed' (480 Mbit/s)
  • Equivalent input noise: ≤-128 dBu (at 150 Ω, input level at maximum)
  • Frequency response, mic/line input:
  • 44.1 kHz / 48 kHz : 20 Hz 20 kHz, +0/-0.4 dB (JEITA)
  • 88.2 kHz / 96 kHz : 20 Hz 40 kHz, +0/-0.4 dB (JEITA)
  • Frequency response (line input) :
  • 44.1 kHz / 48 kHz : 20 Hz 20 kHz, +0.2/-0.1 dB (JEITA)
  • 88.2 kHz / 96 kHz : 20 Hz 40 kHz, +0.2/-0.4 dB (JEITA)
  • S/N ratio :
  • 110 dB (microphone input, input level on minimum, SPCL low pass filter at 20 kHz, A-weighted)
  • 108 dB (line input, input level on minimum, 20 kHz SPCL low pass filter, A-weighted)
  • 110 dB (line output, MONITOR potentiometer set to maximum, 20 kHz SPCL low pass filter, A-weighted)
  • Distortion (THD+N) :
  • 0.0013 dB (microphone input, 1 kHz sinusoidal, 5 dBFS, input level on minimum, 20 kHz SPCL low-pass filter)
  • 0.0011 dB (line input, 1 kHz sinusoidal, 5 dBFS, input level on minimum, 20 kHz SPCL low-pass filter)
  • 0.0012 dB (line output, 1 kHz sinusoidal, 4 dBFS, input level on minimum, 20 kHz SPCL low-pass filter)
  • Channel separation: ≥95 dB (mic/line input to line output, 1 kHz sinusoidal, input level on minimum)
  • System requirements: Windows computer with USB 2.0 port
  • CPU/processor frequency: 2 GHz or more, dual-core (x86)
  • RAM: 2 GB or more
  • Important note: The correct operation of this interface has been established on standard computers meeting the above criteria. However, correct operation is not guaranteed with all computers meeting the above criteria. Even computers meeting the same system configuration criteria may show different processing capabilities depending on their settings and operating conditions.
  • Compatible audio driver formats: ASIO 2.0, WDM, MIDI
  • macOS
  • CPU/processor frequency: 2 GHz or more, dual-core
  • RAM: 2 GB or more
  • Compatible audio driver formats: Core Audio, Core MIDI
  • iOS
  • Compatible audio driver formats: Core Audio
  • Important note: An Apple Lightning to USB Camera Adapter (sold separately) is required to connect an iOS device with a Lightning connector.
  • Power supply
  • When used with a computer: USB bus or dedicated power adapter (see below)
  • When used with an iOS device: Dedicated power adapter (Tascam PS-P1220E, DC 12 V)
  • Power consumption: 2.25 W
  • Operating temperature: 5 to 35°C
  • Dimensions (W × H × D, overall): 296 mm × 65 mm × 160 mm
  • Weight: 1.6 kg
All models in the US-HR Series adopt an exclusive cast aluminium honeycomb physical structure for the sides, with a slight upward slope. This results in a sleek, attractive look, and provides sufficient footing to ensure that the interface doesn't move around when plugging or unplugging cables. Another important aspect is that the upward tilt makes for better ergonomics, as the angle makes it easier to use the interface.
Tascam - US-4x4HR
Tascam - US-4x4HR
175,83 € excl VAT
including eco-part : 0,10 €
Out of stock
Contact us for delivery times
Guarantee 3  years
Anais
Anais
Tristan
Tristan
Do you need help?

Spotlight on

Tascam has been part of the pro audio landscape for decades. They were responsible for the creation of the very first multitrack cassette recorder, which was adopted by many artists including Bruce Springsteen! Today, Tascam offers a wide range of recording equipment, from US-42B portable digital studios, to DR-40X portable recorders, HR audio interfaces and Model series mixers. Easy to use, Tascam products allow beginners to learn about mixing and recording, while professionals can easily maximize their potential. The ability to record from start to finish makes it easy for musicians to get their music out on a large scale.

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